Friday, October 27, 2017

I Have Lived: Julie Patterson

Notebook as Collection Bin, Inspiration

I collect ideas for stories, essays, and poems in my notebooks in much the same way that young kids stash curiosities and beautiful (to the beholder) objects in their pockets. Entries are like snapshots of moments I don't want to forget—perhaps literally images but also dialogue, questions, observations, character sketches.

There's no intentional organization in my notebooks, though you can sometimes see common threads in entries. For example, you might see a lot of dialogue from children in a date range that corresponds to work on stories with kids as main characters:

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I found the below 1910 postcard in an antique store and couldn't stop daydreaming about what it meant: Dear Father, I am very anxious to locate you and mother. Please write at once if you get this. I am not sure about the address. Your loving daughter. A daughter anxious to locate her parents, her father a Reverend...why are they separated and the parents' whereabouts unknown? 

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I thumb through my notebooks for story starters when I feel I have nothing to write about, or want a break from an oppressive work-in-progress, or just want to remember why I write. I have plenty of short entries that have never been developed into anything more, and many that probably never will. The point of the notebook, for me, isn’t only to gather material but also to live a mindful life and simply notice things. My notebook is evidence that I have lived and thought about things. Notebook as Incubator
Stories and essays cook inside my notebooks, too. I brainstorm, recall memories, attempt to answer questions. I create early drafts, dig deeper into topics after I get feedback from peers, and experiment with revisions.

I created the story board below after I'd written several times in my notebooks about playing baseball with my brother and sister as kids. My earlier entries were mostly fast writes about my memories of these frequent games, not a specific time/event but a conglomeration of dozens of them. I knew that I'd need to write a more specific scene if I wanted to include this material in my memoir, so I borrowed a strategy I learned from a screenwriter friend. I imagined what an audience might see if watching our typical game on screen. This helped me distill what was important in all those memories into a single scene. 

Often my prep for teaching leads to an Aha! moment in my writing. Planning for a typical show-don't-tell lesson for a class, I decided to revise a story about the first time after my brother died that a stranger asked me how many brothers and sisters I had. I didn't know how to answer at the time, and a flood of emotions came rolling in, even as I tried desperately to hide them. I knew from peer feedback that readers were struggling to understand what I felt, but I didn't want to just tell them. So I brainstormed all the sights, sounds, and smells of a hair salon, then identified a handful that were unpleasant and layered them into my story so readers now feel the mild discomforts escalating to real pain as they re-experience that moment with me.


Notebook as Friend, Cheerleader Writing is sometimes emotionally draining for me. So I try to incorporate positive feedback from others into my notebooks whenever possible—love letters to my writerly self, in a sense.

Everyone in my writing group wrote a few words privately to me as part of their facilitated response to a large piece of writing I shared. These are good to re-read when I feel discouraged.

Try It:
Spend two weeks gathering ideas in your notebook by paying close attention to your daily life. Listen for funny or interesting lines of dialogue, record the questions that pop to mind, or note the images you don't want to forget. Then, set a "story board appointment" for a few weeks later—I mean literally write it on your calendar so you remember and set aside the time to do it. On that day, thumb through your notebook and find something to story board. It can be something you noticed during your two weeks or something else, even something from a very old notebook.

Julie Patterson is an adjunct professor of English at Indiana University Purdue University Indianapolis and writer-in-residence for the Indiana Partnership for Young Writers. Visit her at her website or on Twitter at @julie_patter. 

Julie has generously offered to give away a copy of one of her favorite anthologies of student writing - LISTENING STILL - published by the Indiana Partnership for Young Writers. LISTENING STILL is the sixth anthology of writing by students in grades K-8 collected by the Indiana Partnership for Young Writers and co-edited by Julie Patterson. The book showcases work in a variety of genres, including many texts where authors intentionally break conventions to challenge assumptions about what's normal, right, or good. Each chapter features complementary artwork by Michele Wood, Coretta Scott King Award-winning illustrator of I SEE THE RHYTHM. Please comment by November 26 to be entered into this giveaway!



Please know that Sharing Our Notebooks welcomes all kinds of notebook keepers - of any age and interest - to open up their pages and share their process.  At the present time, I am accepting all notebook entries and am especially hoping to receive some entries from boys and men who keep any kind of notebooks.  If you are interested in writing in this space, please contact me, Amy, directly.  I welcome you!

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