Showing posts with label Notebooking. Show all posts
Showing posts with label Notebooking. Show all posts

Sunday, March 15, 2020

Keeping a Notebook...Together (Revised September 2020)

Dear Friends,

My name is Amy Ludwig VanDerwater, and I am a current fourth grade teacher, children's book author and writing teacher of over twenty years. As many students have been learning from home and many educators are seeking virtual teaching resources, last spring I wanted to offer something to young people and all wish or need to write a little during this time.

I welcome you to KEEPING A NOTEBOOK, a series of brief daily writing talks that began in the middle of  March and ended at the end of June 2020. These talks are for everyone, and if you are very young, you might wish to write with an older person you love. Writing together is a gift.

You will find each video in the Padlet below my signature (click the box in the upper right to enlarge), and I welcome you to share these at home or at school. There are no ads, and I ask for nothing in return as I simply wish to share my love of writing and expression.

If you wish, you may read more my letter to families. Please feel free to print it from the link and to share it along if you wish.

You may find a chronological list of these camper chats here. Please know that each writing chat may stand alone and need not be viewed in order.

Much love to you and yours.

Peace,
Amy

ps - Know that you can enlarge these videos by clicking the square in the lower right hand corner of each one.

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Second Grade Teacher Mandy Robek shared these thoughts with me:

I’m learning remote learning is hard and rewarding. Each day I’m sharing these videos with my students for keeping our writing notebooks active via Seesaw. I’m getting video responses that are insightful about my students as writers and humans. They are reflective about Amy’s advice and try it on their own or take their writing in a new direction. I can just tell they feel empowered as writers in their video sharing.


Made with Padlet
Click to Enlarge

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Please know that Sharing Our Notebooks welcomes all kinds of notebook keepers - of any age and interest - to open up their pages and share their process.  At the present time, I am not posting regularly here, but if you wish to share your notebook here, please contact me, Amy, directly.

Please share a comment below if you wish.

Thursday, July 4, 2019

Matthew Grundler: Visual Journals

Old Dictionary Pages Become Art
by Matthew Grundler
A New Layer of Dictionary Page Art
by Matthew Grundler

Early in my life, I was always surrounded by sounds of lyrics and the beats of music, and I was always building all sorts of things.

When I struggled at an early age with prioritizing, people suggested that I make lists to order my priorities. It was not that I hated to write, I just felt like ideas were easier to show visually, than to describe with words. It was easier for me to build things. Georgia O’Keefe said that “I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.” 

Visual Journaling
by Matthew Grundler

Lists
by Matthew Grundler

After I got married, had kids, and was teaching full time, I needed lists because some tasks were not getting finished. And then, about two years ago, my wife introduced me to a thing called visual journals.

I thought that visual journaling was interesting and fun, and three very influential people (known as the Journal Fodder junkies) influenced my journaling path: David Modler, Sam Peck and Eric Scott.

I attended an all-day, pre-conference workshop with David, Sam, and Eric, and quickly began to see how others use their journals for more than diaries and lists. I learned how to use a journal as a place for everything at all times. I became fast friends with these three, and we began sharing ideas of things that could go in the journals. Sam Peck, who has an MFA in printmaking, inspired me to start printing again and to add these prints to my journals.

I was hooked!

I began experimenting with all sorts of mediums and drawing styles. Sometimes, I even find myself using a Sharpie instead of pencil because once I start with a permanent line, I am fully invested and have to figure out ways to change something and take it in a different direction if necessary.

I found myself watching lots of Friday night journaling videos by Eric Scott, videos full of great ways to find ideas for mixed media. One of these videos included book pages with boxes drawn around words: blackout poetry.

Black Out Poetry Journal Page
by Matthew Grundler

Journals can help us understand how different subjects connect. And so, with this newfound fire for journaling ablaze, I bring the idea of journals into my classroom.

Thanks to Amy Ludwig VanDerwater for asking me to share my journals. 

More Visual Journal Pages
by Matthew Grundler

Try It:
1. Glue book pages into your journal (little kids' book or any other type).
2. Scan through the pages looking for any words that jump out at you.
3. Be patient, knowing your work is work in progress. It will change over time.
4. It is OK not to finish a page before you move on to another page.

More Visual Journaling Resources:

Matthew Grundler

Matt Grundler is an art educator from Plano, Texas. He is a proud parent, and blogger. With is Art Educator wife Laura, he is co-founder of the popular Twitter chats #CreativelyConnectedEDU and #K12ArtChat. Matt started out as a graphic designer; however, after finding the commercial side of design unsatisfying, he soon found his niche as a K-5 Art Teacher and now teaches at the middle school level. Both Laura and Matt are passionate about raising their three creative kids, sharing their love of art education with their professional learning network, and continuing to grow every day.

Sharing Our Notebooks is offering a giveaway of a book Matthew recommends - JOURNAL FODDER 365 by Eric Scott and David Modler - for a reader of this post. Please leave a comment by 11:59pm on Sunday, July 28 to be entered into this random drawing for a used copy of this book in very good condition.  Please be sure to leave a way to contact you as part of your comment.



Please know that Sharing Our Notebooks welcomes all kinds of notebook keepers - of any age and interest - to open up their pages and share their process.  At the present time, I am accepting all notebook entries and am especially hoping to receive more entries from boys and men who keep any kind of notebooks.  If you are interested in writing in this space, please contact me, Amy, directly.

Please share a comment below if you wish.

Sunday, March 24, 2019

Dr. Shari Daniels: Whatever It Be

My notebooks are in a constant state of growing and changing, layers of me evolving right alongside them. Early notebooks began as diaries and emotional purging mediums, of which I penned much ink during those high school and college years back in the 1980’s. As my children arrived, snippets of their silliness and precious moments I didn’t want to forget were peppered between entries that contained my hopes and dreams as a young mother and wife. I realized early on that my notebook housed what was close to my heart.

(Click to Enlarge Image)

Some twenty years later, Julie Cameron’s book, The Artist’s Way, would prompt a shift in my notebook writing, and morning pages were born. As a ritual, each morning still, three pages of whatever shows up finds its way to the notebook with the intention to hear the whispers of my soul and receive guidance for the day. I learned to recognize patterns of whining and emotional drama and discovered that writing in my notebook could pull me out of the sludge; sometimes an anchor, sometimes a buoy. And: what I put my attention towards shaped my life.

Later yet, as a newly minted literacy coach being trained at OSU, I was introduced to Ralph Fletcher, Georgia Heard, and Donald Graves, and a new layer of transformation took place. The concept that a notebook is a treasure box housing precious gems, random threads, and collectables to one day grow into something more: a story, a poem, or a book, was my new mantra. Now I was not just writing for myself, but with the possibility that I could go shopping in my notebook for any topic that calls to me, play with it, write deeper into and around it or reshape it for the public. 

I turned into a "story-catcher," living wide awake for any remnant to be safeguarded in the notebook: an image, dialogue of another (especially my husband - the sharp witted man he is), a random wonder or text message. The world became fodder for my notebook.

(Click to Enlarge Image)

In the last 5-10 years, my notebooks evolved once again, as they screamed for creativity and meaning. The work of Lynda Barry, Lisa Swerling, Debbie Ridpath Ohi, Leah O’Donnel, and Sunni Brown,  Austin Kleon, dozens of children’s authors and Amy of course, inspire the poetry and drawings, doodles and silliness that now pervades my notebooks. I’ve added art journaling, Instagram images, and visual storytelling to be more playful in this space. Mary Oliver’s words to “Pay Attention ~ Be Astonished ~ and Tell About It” feed purpose into my devotion to adding more ink on the page. In a world of “un-noticers”, being one who “makes alertness a hidden discipline of familiarity” (as David Whyte words depict) feels like a special gift I have been granted. 

(Click to Enlarge Image)

My notebooks, for me, and for others I’ve spoken to, have led me to a discovery and documentation of who I am. Following the threads of which I collect, to a larger meaning unearths the hidden treasures of which I learn from and see new perspectives. Words revealed are guidance, often medicine for healing, and quite frankly, just a sweet bliss upon the surprise of the next line. Once that essence is tasted and experienced, it becomes a necessary nourishment for the feeding of my soul.

Invitation (I love “invitations” ~ borrowing the word from Donald Graves and Julia Cameron):

Writing has taught me to live with a sense of presence and awareness of anything that aspires or inspires, creates a sense of wonder, and for what surprises me, shocks me, and disturbs the core of my being. Cultivating a new lens for "seeing" is the first habit of mind for living this writerly life.

So, listen to a podcast for words that abduct you, snap the photo of a tweet that calls your name and Paparang it (I'm in love with this new little gadget I bought myself), writing from it to see where it takes you, capture a sentence overheard from your children, or learn to doodle people and make speech bubbles as the thoughts and words.  Whatever it be, capture it.  Be a witness to the threads of stories around you.

If you are just beginning to cultivate a sense of awareness and need a scaffold, I’ve revised Lynda Barry’s tool for paying attention and found it is a good “starter” in teaching the eyes and ears what to look for. Each snippet saved can later be lifted to explore your way into a story to find meaning or some Universal Truth. It’s a lovely strategy in which the only requirement is that you put down your phone and live wide awake in this world.

(Click to Enlarge Image)

Because, the world is waiting for you. Our lives will pass us by and we will wonder how we spent our days and who we were. Pull out the net and do some capturing of all those sweet butterflies.

Thank you so much to Amy for inviting me to share my notebooks. Digging into my neglected blogging space to share past scribbles with you has made me realize how much I miss blogging and a writing community.  New nudges are being stirred to venture down some untraveled paths.

Shari 😊


Dr. Shari Daniels has taught for 25 years in a variety of roles: kindergarten teacher, first grade teacher, third grade teacher, and literacy coach. After literacy coach training at OSU, she felt a calling to graduate school and earned her PhD in Teaching and Learning. Currently, she is an assistant professor teaching preservice teachers at the University of Minnesota in Crookston. Shari is mother of four amazing children who are all following their callings in the world of adulting, grandma to Grayson, who is 2 and 1/2, with a sibling on the way, and wife to her high school sweetheart of 30 years. She hopes to one day live out on a plot of land in the country, with a couple small writing shacks scattered about and maybe raise llamas. She will probably will wear purple.

Sharing Our Notebooks is offering a giveaway of a book Shari recommends - POEMCRAZY by Susan G. Wooldridge - for a reader of this post. Please leave a comment by 11:59pm on Sunday, April 7 to be entered into this random drawing.  Please be sure to leave a way to contact you as part of your comment.



Please know that Sharing Our Notebooks welcomes all kinds of notebook keepers - of any age and interest - to open up their pages and share their process.  At the present time, I am accepting all notebook entries and am especially hoping to receive more entries from boys and men who keep any kind of notebooks.  If you are interested in writing in this space, please contact me, Amy, directly.

Please share a comment below if you wish.

Monday, June 5, 2017

Linda Rief: Keeping a Notebook Makes Me Pay Attention

Notebook Shelf

Don Murray used to carry around laminated cards about the size of a bookmark, that said, “Nulla Dies Sine Linea—Never a Day Without a Line.” He gave them to anyone and everyone who asked him about writing. It was his mantra—and the most important advice he gave to all of us, the reminder to put our thinking down every day, or it would slip away.

Every day Don wrote in his daybook. “The most valuable writing tool I have is my daybook… All the writing in the daybook is a form of talking to myself, a way of thinking on paper….The daybook stimulates my thinking, helps me make use of those small fragments of time that on many days is all the time I have to write. There is no sign of struggle. I’m not fighting writing. I’m playing with writing. …The daybook also keeps my writing muscles in condition; it lets me know what I’m concerned with making into writing; it increases my productivity….(it’s a place) where you can do all the bad writing and bad thinking that are essential for those moments of insight that produce good writing.”

Influenced by Don, I keep a Writer-Reader Notebook. I have more than 25 years worth now, and I can trace every piece of writing I have ever done either personally or professionally, to these notebooks. I admit that I don’t write in my notebook every day —and I realize so many things I wanted to remember are gone. Still, what I have, gives me a lot from which to work and with which to play.

Every note I have ever taken at a workshop or conference, every passage I have wanted to remember from books I am reading, and all the pictures, sketches, and random notes I just didn’t want to forget, reside in these notebooks. The notebooks hold the nuggets of ideas I have saved that help me remember my thinking. In most instances I have no idea where or when I will use some of this writing, some of these sketches, or some of these professional notes, but they are there waiting patiently for the right moment—the moment when I need them.

I have moved from lined spiral-bound notebooks to large bound notebooks with blank pages. These work best for me—inviting sketching and leaving me room to set up the page in any way I choose. 

My students are prominent in my notebooks. My grandchildren have crawled, toddled and walked their way in also.

As we were watching the Anne Frank movie in class, I was sitting behind my students, watching how reverent and shocked they were throughout this movie. 

Sketch of Students
(Click to Enlarge)

On my oldest grandson’s graduation from high school I found pictures of him picking apples at our house, wanting to remember those little hands that have now become those of a young man. 

Photos of Hunter
(Click to Enlarge)

I have been teaching myself drawing—practicing what I read in journaling and sketching books. What have I learned, just like writing—practice, practice, practice--the more I sketch, the better it becomes. Sometimes the sketches lead to writing. Other times they simply allow me to slow down, take a breath.

I sketched Rye Ledges on a marine biology field trip with our students after several years of trying to get rocks looking like rocks. 

Postcard of Rocks
(Click to Enlarge)

Sketch of Rye Ledges
(Click to Enlarge)

As I was working at my computer one day I watched a squirrel at our bird feeder, grabbed my notebook, sketched and wrote. 

Bird Feeder

I ask students to sketch their thinking as readers and do it myself when the book creates images in my head. As I was reading The Great Gatsby I wrote out my frustration. 

Joy Sketch
(Click to Enlarge)

Reading A Separate Peace, there were so many passages I wanted to capture that I thought they had to be written on that tree I kept imagining. 

Tree
(Click to Enlarge)

And as we were reading and discussing “Nothing Gold Can Stay” from The Outsiders I kept thinking about how quickly the years go by and put together my thinking with images and writing from being a grandchild to watching my grandchildren. 

Circle of Life
(Click to Enlarge)

Painting & Reflection
(Click to Enlarge)

When I go to conferences and workshops I take notes in this notebook. Sketch notes from a workshop with Kylene Beers and Bob Probst last December in Maine. 


Workshop Sketch Notes
(Click to Enlarge)

Penny Kittle and I gave a presentation at the New England Reading Association. She asked us to draw our hands after showing Sarah Kay on YouTube saying her poem “Hands.” This has stimulated lots of stories for me, some of which have become longer pieces. 

Sketch Notes, Hand
(Click to Enlarge)

And what are the last two pages in my current notebook? An article cut from the newspaper pasted into my notebook with notes from Anthony Doerr after hearing him speak at the Portsmouth Music Hall, written in April. The cover of the latest book from one of my former students, Abby Carroll, and notes from her reading. Then nothing—until two emails from today that I did not want to forget. Jotted down—and dated. So much to remember.

Anthony Doerr Notes
(Click to Enlarge)

Book Cover, Notes, E-Mails
(Click to Enlarge)

One of the greatest pleasures of keeping a Writing-Reading Notebook, and asking students to keep one also, comes from hearing from one of them every now and then. Four years after having Lil in 8th grade, and having heard nothing from her for four years, I received this email:

Wednesday, January 17   9:51 PM

“Mrs. Rief,  I counted my journals tonight. I have written 21 since eighth grade. Thank you!”  Sincerely, Lil”

Keeping a notebook makes me pay attention to the world. It slows me down. It lets me breathe. It makes me a deeper listener, a stronger observer. It lets me think. It captures what I want to remember. It gives me a place to think, and think again.

Here's something to try.  Watch “Hands” by Sarah Kay on YouTube. Then, read the text of "Hands." Ask the students (I would suggest 8th grade and higher) to find a line they like and write off that line for several minutes. At another time they could trace their hand, as I have done and put some dash facts on each finger that remind them of a story that has to do with hands, as I did. They can go back to any of these pieces and extend the quick write to a more developed piece. This summer, carry your notebook with you. Sit in front of a painting at a museum and sketch it. Take it to the beach, sit by the lake or ocean and sketch what you see, write what you are thinking.


Linda Rief is the author or coeditor of five Heinemann titles, including Inside the Writer's-Reader's Notebook, The Writer's-Reader's Notebook, Adolescent Literacy, Vision and Voice, and Seeking Diversity , as well as the author of 100 Quickwrites. She is an eighth-grade teacher at Oyster River Middle School in Durham, New Hampshire, and an instructor in the University of New Hampshire's Summer Literacy Institute. She is also a national and international consultant on issues of adolescent literacy. In 2000 she was the recipient of NCTE's Edwin A. Hoey Award for Outstanding Middle School Educator in the English/Language Arts. Her classroom was featured in the series Making Meaning in Literature produced by Maryland Public Television for Annenberg/CPB. 

Linda and Heinemann are generously offering 2 giveaway books, so we will have two winning commenters on this post. Please leave your comment by Thursday, July 29, 2017 to be entered into a drawing for one of two of Linda's books: Inside the Reader's Writer's Notebooks or Read, Write, Teach.  I will announce the winners in this space on Friday, July 30, 2017 as well as on Twitter and at The Poem Farm Facebook page.

Inside the Writer's-Reader's Notebook pack

Read Write Teach

Please know that Sharing Our Notebooks welcomes all kinds of notebook keepers - of any age and interest - to open up their pages and share their process.  At the present time, I am accepting all notebook entries and am especially hoping to receive some entries from boys and men who keep any kind of notebooks.  If you are interested in writing in this space, please contact me, Amy, directly.  I took a little break from this blog to write Poems Are Teachers: How Studying Poetry Strengthens Writing in All Genres (Heinemann, Fall 2017)...but I'm back and welcome you!

Please share a comment below if you wish.

Monday, September 12, 2016

Kiesha Shepard: Notebooks for Life


Notebooks have been called different things by many writers. Some writers call the notebook a workbench or a think-tank.  Other writers might call it a sketchbook or a safe place. I believe the notebook takes on meaning and significance the very moment a writer begins to write. It becomes as unique as the writer, living and breathing each day with the thoughts and feelings of the writer.

My notebooks are my special safe-keepers of my thinking and writing life. Keeping a notebook has made my life so much more fruitful. It brings a fullness to my world each day. The notebook helps me pay attention to life by allowing me the freedom to live and write wide-awake.

For this reason, my notebooks are brimming with many types of entries. There are so many ways that I capture and collect my thoughts of this world in my notebooks.


One of my favorite ways to use my notebook is for collecting on topics. I often make lists around a topic. This helps me think of all the ways I have already written about my topic in the notebook. It also encourages me to try out new ways to write about my topic in order to flesh out what I really want to say. I have discovered that this strategy gives me fresh ideas for weaving in new thinking about my topic.

I organize my collections by rereading entries and flagging them with sticky notes. Each sticky note has a label which identifies that entry by subject, topic, or theme. This is a really handy way for me to refer back to previous entries in order to layer more meaning on whatever topic or piece of writing I’m working with.


I also use notebooks to spark ideas for poems, books, and essays. I am always collecting my observations and snippets of thinking in my notebook. Each entry is so important to me, so I return to the notebook often to reread. So many of my ideas for poems and stories that I want to write start bubbling up in my notebook this way. I am always surprised at how my drafts emerge and blossom from the work in my notebook. For me, notebooks are certainly keepsakes forever!






Invitation to Write: You can use your notebook for life, too! Try starting with the little things around you. Write whatever you see right now around you. It could be living or nonliving. Then, narrow your focus to one of those things and write. Allow yourself the freedom to write whatever comes. You might be surprised at where this writing leads you! Often our best writing comes from something quite simple and concrete in our lives. Our notebooks can capture and hold safely all that writing for us. In this way, the notebook is truly a friend for life!


Kiesha Shepard is a Literacy Specialist at Spring Creek Elementary School in College Station, Texas. She has a giant love for writing and the teaching of writing. You can find invitations to write, teaching resources, and some of her poems on her website Whispers From the RidgeYou can connect with Kiesha on Twitter @kshepard_write or by email from.pens.to.paint@gmail.com, and she also welcomes you to follow the amazing K-4 writers at her school’s writing blog  HERE.

Kiesha has generously offered a giveaway of one of her favorite poem books - EVIDENCE by Mary Oliver - for a reader of this post.  Please leave a comment by Saturday, October 1 to be entered into this random drawing.  Please be sure to leave a way to contact you in your comment as well.


Please know that Sharing Our Notebooks welcomes all kinds of notebook keepers - of any age and interest - to open up their pages and share their process.  At the present time, I am accepting all notebook entries and am especially hoping to receive some entries from boys and men who keep any kind of notebooks.  If you are interested in writing in this space, please contact me, Amy, directly.

Please share a comment below if you wish.

Monday, May 16, 2016

Katie Liseo: The Chance to Be Adventurous as Writers

“Can I stay in during recess and work on writing?”  This is not a usual phrase uttered in many elementary school classrooms and in fact, this is a phrase I’ve rarely heard in years prior to this one.  However, this year these words are not uncommon, often asked by several students as we all get up from our share at the end of writer’s workshop and prepare to line up for recess.

So, what was different about this year? Let’s go on a journey back to August, back to the beginning of a new school year with endless possibilities, fresh routines, new friends, and blank writers’ notebooks.

I have the privilege of working on a grade level team of educators who are risk takers-  we keep what’s best for kids in our forefront which drives us to always push ourselves to try new things and see what happens along the way.  As we sat to think of the possibilities for writer’s workshop this year, we kept coming back to an idea that we really, really wanted to try in the past but just hadn’t quite figured out how to get it started ….independent writing projects, otherwise known as back-up work.

Click to enlarge any image.

Katlyn created a writer’s notebook just for her back-up work.

This was something that we had read about in STUDY DRIVEN by Katie Wood Ray and had learned about firsthand from respected literacy consultant, Matt Glover.  We mulled over the idea for a few years, then after a visit from Matt last June, we knew we were ready to get this idea up and running in our classrooms. We knew the what: we wanted to give our students the chance to be adventurous as writers, explore new genres, to transfer old and new skills/strategies as writers, and to take hold of their writing lives.  We wanted them to be self-directed in their process but the only holdup was that we were not too sure of the how.

When thinking of how to launch writer’s workshop this year, we were guided by the words in Aimee Buckner’s NOTEBOOK KNOW-HOW: STRATEGIES FOR THE WRITER'S NOTEBOOK and Ralph Fletcher’s A WRITER'S NOTEBOOK.  We wanted to launch the workshop in a new way with the focus being on the notebook.  Notebooks had always been a pillar in our writer’s workshop, but they were not being used to their fullest potential.  We wanted students to truly use their notebooks, not just keep one at school.

We always hoped their notebooks would travel back and forth from school to home, on road trips, to holiday celebrations, etc.  We hoped that their notebooks would brim with ideas for possible writing pieces, be a place they could turn to when no one else would listen, be a place for reflection, and even hold yearnings and desires for their futures.  We wanted students notebooks to be a poignant and purposeful piece of their year as a 4th grade writer and beyond.  Aimee Buckner’s launching strategies and Ralph Fletcher’s inspiring words gave us the springboard for creating a sacred place to house beginnings for countless future writing pieces and we just needed to give our students opportunity and time to explore themselves as writers, and back-up work was just that.

After generating many entries, students combed their notebooks 
and noticed patterns in both their own and each other's entries.

It was a few weeks into the school year and we had begun to fill our notebooks with promising ideas. This lead to an a-ha -- why not let them take one (or several) of those ideas out of the notebook and use these as sparks for our students’ very first pieces of back-up work.

We created this chart at the beginning of the year 
with examples from student’s notebooks.

We invited students to choose an idea from their notebook that they had more to say about and from there, we nurtured this idea with focus lessons that centered around applying skills that they knew to use as good writers and focusing on their processes and reflecting as they worked through their own independent, self-selected pieces of writing.  As a teacher, I choose to intentionally model with genres that I knew were not taught in our district's units of study.


 We wanted our writers to see the possibilities beyond the genres we studied.  Of course, techniques and skills learned from those genres would transfer to back-up work, but we wanted writers to discover their “secret writing lives”- the kind of writing that kids often wished they could do in class, but couldn’t.  We wanted them to realize that they could be inspired by a new genre or an author’s unique style and make that their guiding force for a back-up piece of writing.

We wanted this back-up work to be the writing they would turn to when they had time to work after an immersion into a new genre, when they had writer’s block, at home, or when they were working in self-directed time while guided reading groups were taking place.  As the year progressed, so did our realization as teachers as to what this new opportunity meant to the writers in our classrooms.  We saw writers taking risks, setting goals, collaborating, and truly living writerly lives.

Selena’s first piece of back-up work was inspired by 
Peter H. Reynolds’ book THE DOT.

Back-up work quickly fueled this writing energy in our classrooms that had never been felt before.  Students were doing things like seeking out the music teacher to collaborate on a song and asking family members and neighbors for writing tips.  Notebooks were being taken home and used more than ever before.  Students were truly seeing themselves as writers all of the time and not just during our writer’s workshop block.  We even held a back-up work writer’s celebration halfway through the year.

For this celebration, students could showcase as many pieces of back-up work as they wanted; some even choose work that was still in progress and talked through their process with visitors at the celebration.  Some had published pieces and some didn’t - the purpose of the celebration was not to show a final, polished piece  for that’s not what back-up work’s all about.  Rather, the purpose was to celebrate their lives as writers.  This writer’s celebration felt different because each writer had something unique to share and they so beautifully articulated their process because the writing they were sharing was completely and 100% theirs.  From there, the rest is really history…

One student created a plan for a poetry anthology 
which was part of back-up work.


Kara wrote a play; auditions will be held during recess. 
The first performance should be any day now.

Back-up work is a cornerstone of our writing lives now.  Since jumping in and making back-up work part of our growing writerly lives this year, students have written numerous songs, become playwrights, poets, graphic novelist, started a school newspaper, written reviews, crafted “choose your own adventure” tales, written odes, comic books, greeting cards (which were briefly sold in our school’s front office), the list goes on and on.  Students are even going to feature their back-up work in our school library for fellow students to check out!  And as a teacher-writer, along with my teammates, I have worked on several back-up writing pieces of my own.

Students have created back-up writing partnerships outside of their initial writing partnerships, and they have formed collaborative groups centered around creating a poetry anthology, a mini series, or just to bounce ideas off of one another.  What is so amazing is that these collaborations are personal and purposeful.  Students often sing their fellow writers' praises and choose to work with someone based on a strength that writer possesses or a shared passion for a particular genre.  Reluctant writers are more motivated than ever- they work hard on our unit work because they know that they have their own writing life waiting for them.  The transfer of skill and stamina to writing both unit work and back-up work by all writers is impressive, and growth is evident.

Raymon was inspired by figures in Greek Mythology 
to write a choose your own adventure story about King Midas.


This piece of back-up work started as an idea in his writer’s notebook 
and was taken out of his notebook and to his drafting pad.

As the teacher of these amazing writers, I cannot speak enough to how powerful it is to hear the hum of a room with students who have a true passion for writing.  They continue to be just as passionate and excited towards their unit writing work, however seeing their eyes light up as they share a piece of back-up writing is really as good as it gets in a teacher’s world.

This piece of back-up work was inspired by a writer 
who had some questions about the weather.

As we approach the end of the year, I overhear my 4th graders questioning the 5th grade teachers in the hallway about back-up work and pleading that it has to be a part of their writing lives next year. I smile as I walk past because this too, is something I didn't expect to hear and it is music to my writing teacher ears.

A recent note from a student.. My favorite is his last line- 
out of all things to thank me for, he chose back-up work.

To learn more about about back up work, read this post by Dana Murphy at Two Writing Teachers.


Katie Liseo is a 4th grade teacher in Kansas City, Missouri.  Katie has been teaching for 5 years and loves learning alongside each of her students and colleagues. She enjoys reading many education blogs such as: Two Writing Teachers, Indent, Edutopia, Mr. Schu Reads, and The Poem Farm. She also loves learning from all of the collaboration that takes place via Twitter (@KatieLiseo).  When she is not nerding out on school related things, Katie enjoys hanging out with friends and her dog, Oliver. 




In honor of Katie Liseo and her students' inspiring notebook work, Sharing Our Notebooks will send a copy Aimee Buckner's NOTEBOOK KNOW-HOW: STRATEGIES FOR THE WRITER'S NOTEBOOK to someone who comments on this post.  Please leave a comment, including a way of contacting you should you win, by Sunday, June 12, to be entered into the drawing.

Please know that Sharing Our Notebooks welcomes all kinds of notebook keepers - of any age and interest - to open up their pages and share their process.  At the present time, I am accepting all notebook entries and am especially hoping to receive some entries from boys and men who keep any kind of notebooks.  If you are interested in writing in this space, please contact me, Amy, directly.

Please share a comment below if you wish.